Archive for June, 2012

June 27, 2012

Attack of the Giant Beast

by Fred Fingery

Attack of the Giant Beast

Illustration by Mongol

George made the mistake of thinking that because the thing was huge—a giant—it would move in slow motion, that its skyscraper legs would come down to the earth in slow, separate earthquakes. Driveway puddles rippling, falling calm, then rippling again. He’d thought the Gigantor would be easy to outrun and outthink, that he could lose the thing somewhere in the mess of the city. But now he understood the thing was like a normal person, a really fast person, regular-size. Faster. Faster than a Mexican dad running in a field, playing soccer ‘till his Adidas shirt gets dark and silvery with sweat and then playing until someone else wanted to quit.

George thought: this beast is hearing the wind in its ears, hearing a blown-out speaker of wind screaming. He remembered being a kid and trying to impress his sisters’ friends (gathered like adults beneath the tree by Ms. Teasley’s tinted windows) by dropping his bookbag to the dirt and unnecessarily bolting across the grass, past the newish playground of upside-down elbow kids, towards where the momcars were still coming and going—the wind rumbling in his ears—and then walking back towards the girl-cluster to listen for some kind of reaction.

In his late-father’s precious ’57 Chevy, blasting down the road, away from the beast and suddenly towards the beast again, its silver bumper scraping and sparking against a road that shuffled in place while the whole city quaked under the monster’s every step.

George’s eyes had dried to styrofoam packing curls in the wind of the road.

The beast was toying with him—behind him one second and then in front of him the next, and it didn’t matter how hard he bullied the gas pedal. The car, ruby red with corners of chrome, screamed behind the teeth of its busted grill. George screamed too but he couldn’t hear himself. His father was a footprint now at the corner of 5th and Madison, a berry smashed by your toe, and the man’s precious car was already changed forever, melted and fused out of its perfect condition. It sparked and squealed through the streets. It made a hot blue smell.

A giant blue monster that moved like a Mexican dad playing against his three little kids and wanting to win—the horizon was the field. The beastie cut across another five city blocks to cut George off once again. It smeared a businessman across the pavement at a crosswalk. His jelly-trail became like a commercial for whatever brand his briefcase was. Sturdy stuff!

Popped, thought delirious George. He used to pretend to be a giant with his matchbox cars. He used to pretend to pick little ant-sized businessmen out of the rust-smelling cars and then gently squeeze their heads flat and they’d go limp like strings, wonderfully dead and limp, flea men, hanging with their business suits out from his thumb. He would lie to his ears, pretend there’d been the faintest pop.

He saw a turn-off and yanked the wheel to the right. The fender sprayed sparks as the tires wailed. The car lost its footing for a moment and a tin garbage can crashed through a coffeeshop window. The car steadied and found the road. Almost a wipeout, but at least the Gigantor wasn’t ahead anymore.

George didn’t know he’d urinated in his pants twice so far. Or that he’d been screaming the whole time, eyes wide and hollow. His whole body was hot, hot chocolate blood and some kind of corrosive energy that had to be shock or actual real-time dying of fright, so he didn’t know he’d peed his pants. Twice even!

The beast was only a kid Gigantor, plain to see. It moved fast and heavy, careless, off-balance. And, like a kid Gigantor, it abruptly grew bored. It bolted again from eight miles behind George to a hundred feet in front of him in exactly holy-f-ck-seconds.

George screamed more and slammed the brake all the way down. The car screeched to a stop and took the opportunity to die for good.

If he had had full possession of his wits he would have known he’d blindly jumped a few curbs and smashed through a peach-painted metal fence and had now ended up at the goat-crap-smelling Keansburg Zoo. Would have remembered he’d been here once before, when he was forth-grader on a class trip. Towards the end of the tour young George had been standing a clear fifty feet away from a leopard in the cage, and then the leopard raised its hind leg and shot a laser-thin stream of pee right by Ms. Teasley’s face, nailed Tommy Capaldo in the shoulder and some of the spray misted on George too. That’s the only thing he learned that day: that leopards can pee like lasers, the pee undaunted by distance.

The Gigantor was a simple-looking thing. It was solid blue and shiny, looked inflated and squeaky. It had jet-black button eyes, though one of them showed just a little bit of white, like on a lazy-eyed hot actress who you secretly think isn’t hot. It either didn’t have any teeth or it was like a cartoon character and it only suddenly had teeth if the moment specifically called for them. George had a maybe-memory of the blue beast toothlessly sucking on a person like they were two toothpicks, legs sticking out, limp like the invisible thumbsmash people—then the beast, perhaps as an experiment, blew into the person while keeping him or her tight between its lips. George didn’t know what the beastie was trying to accomplish and had an idea the beastie didn’t know either. Then, finally, it spit the weird torso out. George thought he’d never seen anything in his life deader than that person.

The Gigantor: it had a simple toy-like appearance but its face was expressive as all hell. The smoothness of its head seemed to generate convincing bumps and creases whenever the thing wanted to perform an emotion. It was a showboat, a drama queen. Or maybe a champion idiot. Through its entire city rampage it had maintained a look of utter exhilaration just like a kid who didn’t care about people knowing how hopelessly happy he was.

Now the thing made a mean-guy face, stared down at George in his dead, smoking car. It was a mean face. Not evil, just sadly mean.

“Get away from me you blue monster!” screamed George in an old lady way, and he repeated it again and again. “Get away from me you blue monster.” He said this without knowing he was saying anything, just instinct-screaming. He was too afraid to leave the familiarity of his dad’s car. All he could do was scoot up and slide back a little, like a mom about to face the first drop of a rollercoaster.

Police sketch compiled from several eye-witness accounts.

The blue beast came in real close; it was curious, outrageously so. It studied George for a few seconds. This was its first opportunity to get a really good hard look at one of the little fun-things. It studied George good and proper, bump-brow furrowed in doctoral thesis concentration, in house-shifting hurricane illogic, tea-kettle screaming, tainted brainpower.

Then George saw that the beast had gotten its fill and was now going back to mean face. Torture face. George lifted himself up and backwards as high as he could go without falling over into the back seat where there was a chipped Dressle .22 rifle with no bullets.

That’s when the Gigantor made a final, fateful observation. As George slid up and backwards in the seat, the scholarly beast saw the pee stain in George’s khaki slacks.

The Gigantor: completely grossed out. It winced, scrunched its face muscles. Sour face. Wildly disgusted. The thing looked like it was about to walk away and simply leave George there, unmolested, leave him screaming all by himself into the night or until his sanity came back.

But no. Suddenly the monster cooked up a whole new emotion. Another extreme expression: now its face hosted a look of hysterical illumination—a very, very bright idea! Bright but sad. It seemed proud of itself but it also looked a little sad for future-George, like it knew its latest glory would come at poor George’s expense.

It reached down and THWOPP (wigglewobble)! It whipped out its sex, and the thing had the girth of those white slinky tube tunnels they use to get between the white tents if there’s an Ebola outbreak. The beast took a big, big breath, cheeks full of air—two hot air balloons—and then it hell-hosed George’s dad’s convertible with the pressure of maybe seven screaming firehoses all laid over each other to create a unified, metal pipe of pee.

Inside the car George was weightless, his legs and butt were above his head and then below, he didn’t know where the sky was. Hot. The force of the pee-hose didn’t catch him directly (if it did it would have knocked his head off), it had been aimed at the empty passenger seat, melted a hole there like snow. The car squealed backwards but still put up enough resistance to make the pee angry. Steam blanket. So George was merely in its violent frothcurrent, its spinning force, and then the wave, the turmoil of urine firmly lifted him up and out of the car and spilled him out onto the sliding concrete like a busted above-ground pool and a kid. George fainted somewhere there in the concrete tumble.

He woke up when a black duck, slick and wet, poked his eyebrow (it could have blinded him) with its beak. The blue monster was long gone, probably across the state line, but the distant perma-earthquake of its soccer-player speed kept the pee-puddle steadily rippling. Then, over the horizon, the giant sang a song that was a little like elephants trying to harmonize.

June 18, 2012

“Jert Zylan vs. The Cytard”

by Fred Fingery

Jert Zylan vs. The Cytard

The Cytard leapt with a clumsy, flailing thrust and landed stupidly in the grass, half on its face and half on its ass. It stood up, dizzy, and trained its only eyeball on Jert Zylan and Ensign Dan. Tears rolled down its scaly green face, collecting in a watery mustache on its bulbous red lips; it had hurt itself in the rough landing. Its bottom lip trembled like jello in a spoon.

Illustration by Mongol

Jert, his snazzy grey sports coat covered in a phlegm-like gunk, pulled out his Series 8 plasma-musket pistol and cocked back one of its two rusty hammers. Ch-click! He hollered into Dan’s ear. “You said this filthy caveguck would make us nasty and gross—so the beast wouldn’t want to eat us!” Jert, gagging in the steam of his own foul smell, wiped some of the slime from his lips with the back of his even-slimier sleeve. He breathed only when he really needed to. He’d once had a pet frog he kept in a scissored-out milk carton on his dresser, and he’d never changed the water even once, just let the poor thing stew for weeks in its own stagnant filth—this cavegunk, Jert thought, produced a very similar odor. “He don’t look so grossed out to me! He looks like he thinks we’re freakin’ dipped in butter!”

A good distance beyond the creature, on a silvergreen hillock, stood the rocket Scout 3, pointing up to the sky, ready to get the hell into space. Somewhere inside, a terribly annoying child named Stowaway Lahluu roamed about unsupervised, probably pressing all kinds of buttons. Jert definitely needed to get back there pronto.

Dan shrugged his shoulders and said, “Yeah, but how is he supposed to get grossed out by it, unless he eats one of us and realizes he hates it?” Dan said this like it was the most obvious thing in the world.

For a very sane moment Jert contemplated turning his pistol on Dan and pulling the trigger hard enough maybe to sprain a fingermuscle. And, if he’d had even one extra musket to spare, who’s to say he wouldn’t have gone through with it? But he’d only one bullet inside the old, perversely-inaccurate metalwood pistol. And now, it seemed, he’d need to reserve that musket for more pressing annoyances. “You mean to tell me that was your plan? He eats one of us and then he’s too grossed out to eat the other?”

“Yes.”

“Seriously?”

“Yes.”

The Cytard flung itself again in their direction, heavy and sideways, like a concert piano in a tornado. It crashed down hard: shplump! This time the fifteen-foot reptile, having scraped its leathery knees on a fingernail of graphite rock in the dirt, cried out loud in a lizardly belch: “Waalalalahhhh!” More tears streamed from its face. But the beast was simply too dumb to learn from its mistakes—it would jump again, soon, and one more leap would bring it down on Jert and Dan.

Yet still, Jert couldn’t quite wrest his gaze from Dan’s slime-drenched profile. “So, either way you figured it: one of us gets eaten. That qualifies to you as a ‘good’ plan? That’s acceptable to you, Ensign Dan?”

Dan shrugged his slimy shoulders. A hammock of cave-mucus hung from his elbow.  “Well yeah, as long as I’m not the one he eats.”

Jert stared at him in braindead silence for a good five seconds. Then he took a good deep breath and tried to exhale the bulk of his frustration out through his lips. He found he couldn’t get it all out like he wanted to. Then the Cytard leapt again, swinging its green scaly limbs wildly in the air.

Jert didn’t have time to worry over his one remaining musket, his one and only chance. He whipped his arm upwards and pulled the trigger. Sdooop!!!

Jert, his snazzy grey sports coat covered in a phlegm-like gunk, pulled out his Series 8 plasma-musket pistol and cocked back one of its two rusty hammers. Ch-click! He hollered into Dan’s ear. “You said this filthy caveguck would make us nasty and gross—so the beast wouldn’t want to eat us!” Jert, gagging in the steam of his own foul smell, wiped some of the slime from his lips with the back of his even-slimier sleeve. He breathed only when he really needed to. He’d once had a pet frog he kept in a scissored-out milk carton on his dresser, and he’d never changed the water even once, just let the poor thing stew for weeks in its own stagnant filth—this cavegunk, Jert thought, produced a very similar odor. “He don’t look so grossed out to me! He looks like he thinks we’re freakin’ dipped in butter!”

A good distance beyond the creature, on a silvergreen hillock, stood the rocket Scout 3, pointing up to the sky, ready to get the hell into space. Somewhere inside, a terribly annoying child named Stowaway Lahluu roamed about unsupervised, probably pressing all kinds of buttons. Jert definitely needed to get back there pronto.

Dan shrugged his shoulders and said, “Yeah, but how is he supposed to get grossed out by it, unless he eats one of us and realizes he hates it?” Dan said this like it was the most obvious thing in the world.

For a very sane moment Jert contemplated turning his pistol on Dan and pulling the trigger hard enough maybe to sprain a fingermuscle. And, if he’d had even one extra musket to spare, who’s to say he wouldn’t have gone through with it? But he’d only one bullet inside the old, perversely-inaccurate metalwood pistol. And now, it seemed, he’d need to reserve that musket for more pressing annoyances. “You mean to tell me that was your plan? He eats one of us and then he’s too grossed out to eat the other?”

“Yes.”

“Seriously?”

“Yes.”

The Cytard flung itself again in their direction, heavy and sideways, like a concert piano in a tornado. It crashed down hard: shplump! This time the fifteen-foot reptile, having scraped its leathery knees on a fingernail of graphite rock in the dirt, cried out loud in a lizardly belch: “Waalalalahhhh!” More tears streamed from its face. But the beast was simply too dumb to learn from its mistakes—it would jump again, soon, and one more leap would bring it down on Jert and Dan.

Yet still, Jert couldn’t quite wrest his gaze from Dan’s slime-drenched profile. “So, either way you figured it: one of us gets eaten. That qualifies to you as a ‘good’ plan? That’s acceptable to you, Ensign Dan?”

Dan shrugged his slimy shoulders. A hammock of cave-mucus hung from his elbow.  “Well yeah, as long as I’m not the one he eats.”

Jert stared at him in braindead silence for a good five seconds. Then he took a good deep breath and tried to exhale the bulk of his frustration out through his lips. He found he couldn’t get it all out like he wanted to. Then the Cytard leapt again, swinging its green scaly limbs wildly in the air.

Jert didn’t have time to worry over his one remaining musket, his one and only chance. He whipped his arm upwards and pulled the trigger. Sdooop!!!

 

_____

Want to know what happens next? Be my guest!

June 17, 2012

“Yessenia’s Turbine”

by Fred Fingery

Yessenia’s Turbine

First I’m building the turbine, and then the wings and then the plane. It already has a name, the whole plane: Mexicano II. I’m building the turbine first and I’ll paint it green because that’s what color Mexicano II will be when it’s finished. I’m building it for my dad but he don’t know. Then I’ll have the whole 747 and I’ll give it to my dad and he can sell it and buy me a car.

See that plane up there in the sky right now? Look. You’re not looking look! That’s the same exact plane as Mexicano II except it’s green and I own it to give to my dad.

I got the blueprints on the internet, the way to build it. I printed a picture of the exact turbine, so I know how to build mine. I went with dad to Home Depot to get a million dumb tiles in heavy boxes I couldn’t even pick up. Dad laughed then picked the boxes up because I’m not supposed to be able to anyway. And I put some screws and metal rings in my same pocket with the hot chili mango sucker in it, and I didn’t pay, but back in the aisles there were a million of both, so nobody will know I stole. I paid for the mango sucker with my own money. Not the screws and metal things.

Dad came into the backyard and said what are you building in the dirt, and I said not like I’m building a plane or anything. He didn’t know what I was talking about. He just laughed. He took a avocado off the ground from the tree and went inside, and he has no idea I’m building a 747. He makes guacamole with the avocados on our tree. That means there will be chips tonight awesome.

When I’m done the turbine will be as big as dad’s truck only giant. I’ll have to build a building to put it in so he doesn’t know I’m building it. Then I will cover the building with a blanket so dad doesn’t see the building or the turbine or the blueprints. I will have to knock down the fence when I build the wings though. I’ll knock down the fence and then see old lady that lives behind us who yells at the ghosts in the middle of the night, and came out with a shotgun once and my dad yelled at her. Maybe she’ll be dead of old age by the time I build Mexicano II. She’s dumb and she thinks you can kill a ghost with a shotgun and not just get it more mad.

I will paint Mexicano II green like the inside of the avocado not the outside. Light green. I will go with dad to Home Depot when he goes to buy a table saw, which he said will be soon, and then I’ll take more screws and nails. I’ll ask dad to buy me the big pieces I’ll need. I’ll say it’s for the science fair. I’ll say Yes I know it’s summer but it’s for next year science fair duh. I’ll buy the rest of what I need with my own money. Because my plan is I’ll sell pancakes for three weeks and then I’ll have all this money for the 747.

So it’ll be a BMW except painted green and the license plate says “My Enemy is Megatron.” Or “Yessenia’s Green BMW” or “I hate my evil twin sister.” I will make dad show me how to drive in the backyard. We’ll do it when there’s no helicopters flying low, the same color sheriff ones or the regular police ones that are black and white. If they see me they’ll arrest me because I can’t drive a car because I’m too young to drive a car.

Only I need the wood to make the sign for the pancakes. Yessenia’s Famous Pancakes, Ten Dollars a Pancake with syrup and butter. I will use a sharpie marker I found at school on the recess field by where Ernesto caught the cockaroach in the plastic bag and kept it alive and I was jealous. I wanted to buy it but he told me I have no friends and I hate him now. I will write the wood sign with that sharpie.

Only one problem. I actually have a problem. I have NO IDEA where I’m gonna get the wood!!!!!

________

For another “Yessenia” story, click here!

June 15, 2012

Friday Fictioneers: “Biggest Backyard”

by Fred Fingery

Biggest Backyard

I’m listening for her chain-jingle on the wrong side of our fence. Moving through the dry bamboo reeds we use as swords, the trees running branch tips through my hair. I consider the ticks, droplets bobbing on the leaves, bouncing in the summer dank . I call for her but I only hear the birds, and cricket squeak, and my brother shouting her name through cupped hands. Offering treats. “Bone!” He sounds serious.

Someone’d left the gate open—a crack—and she’s gone. Like that.

(it was my brother)

The woods behind my house feel like the biggest backyard—like there’s maybe a fence to keep her in, but it’s somewhere on the other side of the world.

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This has been another installment of Madison Woods’ Friday Fictioneers. Check it out.


For more practicallyserious flash fiction, check this story out.

Or, feel free to peruse the practicallyserious fiction library!

June 14, 2012

Five Reasons You Own an iPhone

by Fred Fingery

Five Reasons You Own an iPhone

Surprisingly enough, there are still people that don’t have an iPhone. Maybe they’re afraid of the buttonlessness of the touch screen, or the fact that if you hold the phone “the wrong way” your finger annoys the antenna and you lose your call. Maybe they’re worried about committing to a big-time data plan.

Whatever. Maybe they just need a few more reasons.

Five Reasons You Own an iPhone.

  1. You purchased one at the Verizon store.
  2. Someone gave you one as a gift.
  3. You won one in a raffle/contest.
  4. You are a celebrity and Apple just sent you one, free.
  5. You are an executive at Apple and don’t want to get fired.

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If you liked this “funny” list, check this one out!

June 11, 2012

Flash Fiction: “Pancakes and Beer”

by Fred Fingery

Pancakes and Beer

I want to beat my dad up but I can’t because he’ll ground me. There has to be a way to beat up my dad.

Oh.

I move the kitchen chair so I can step up and reach where mom keeps the stuff and the blue thing of pancake mix that puffs when I squeeze it like it smokes, and it sounds quiet just like how when Sassie wakes herself up because she farted. I am so mad. I am angry. As soon as I find the pancake mix.

He drank beers again and I told him not to drink three beers. He had three beers and he’s acting dumb and I told him not to act dumb and drink three beers.  And then he eats the rest of the Fritos. I hate him. I’m gonna beat him up but I can’t because if I do I’ll be grounded. I hate hate hate him for the beers that he left on the table by the television in a straight line and empty. I think one of the bottles is on some of my Yu-Gi-Oh cards that I left there on the table!!!!! Why is there a beer on my cards can you tell me that?

Where’s the pancake mix? It should be here and it’s not. Maybe dumb mom moved it.

I said don’t drink three beers or I’ll be mad and he drank beers on the couch just now. He hates me because he drinks beers even when I say don’t drink beers, and I tell my evil twin sister I hate dad 5% more than you now. I want to beat him up so bad. And why is the only thing I know how to make pancakes can you tell me that?

It was three beers or two.

I want to beat him up so I need the pancake mix.

He likes small pancakes with butter and syrup and only I can make them like he likes them. I know because that’s what he tells me and he eats all of them. Then he pretends to want to eat my hands because there’s syrup on them and he wants more pancakes. So I say Oh here we go again and I have to go make more with mom. I make them every Saturday for him to surprise him and one time I got up early by myself not even mom and I made four of them and then I remembered he was gone visiting Uncle Jose that weekend!!!!!!!!!!!!!!

Small and with syrup, Aunt Jemina he likes, and with orange juice and I make toast too. But nobody wants just toast so I need the pancake mix and dumb mom or my evil twin sister moved it.

I am so mad. When I was in my room I heard him downstairs laughing dumb and I said Oh here we go again.

He’s funny I admit but he drinks beers then he eats the rest of the Fritos.

Because I will make him breakfast in bed tomorrow just how he likes it and then he won’t ground me after I beat him up right now. But I can’t find the pancake mix and I can’t just make toast and orange juice so, once again, nobody cares about Yessenia.

He is soooooo lucky I can’t find the pancake mix. Soooooooooo lucky holy crap.

_____

For another Yessenia adventure check out this story.

For more kid-themed flash fiction, check out this story.

June 10, 2012

Flash Fiction: “Candles”

by Fred Fingery

Candles

Mass was over and Father Whipp  had a five-minute window to eat his birthday cake (if he didn’t want anyone knowing about it). Father David, who presided over the afternoon service, would soon arrive through the big doors in a creaking flash of daylight, and if Whipp wasn’t quick he’d be obligated to come clean and offer to share.

When people didn’t know it was his birthday, Whipp preferred to punish them by not reminding them.

He rubbered his heel against the wood floor, waited behind a crack in the sacristy door for a woman and her sad-faced little girl, across the cool incense and arched Maplewood of the chapel, to get on with lighting a prayer candle. Everyone else had left.

The woman pulled one of the dozen lit candles from its stand and gave it to the girl, who dipped its tip importantly into one of the ruby red candle glasses. After the smaller candle caught, the little girl handed the candle back to her mother and watched her replace it on its stand. Then the girl whispered something and made a plump, misaligned house with her hands. Finally the two left, the woman guiding the girl ahead of her with a soft finger at the shoulder blade.

Father Whipp huffed, relieved. “Geez.”

He rushed across the grey marble floor, past the glossy pews to the candle rack. With an occasional glance over his shoulder to the big doors, he took a small white candle from the basket beneath the rows of red, flickering glasses.

Back in his office he set the candle into the center of a small ice cream cake. After he swiped some cookie crumbs off a bent paper plate he kept in a drawer, he rattled a fuzz-spotty fork down next to it on the desk and then twisted a scrunched paper towel up into his white collar. He lit the candle with some matches from back when he smoked, and he tried to come up with something to wish for.

But Whipp couldn’t come up with anything, and he was almost out of time before Father David showed up, so he just blew out the candle and wolfed the cake while the black smoke twirled.

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For more practicallyserious flash fiction, check out this story!

June 8, 2012

150-word Fiction Friday: “Head in the Clouds”

by Fred Fingery

Head in the Clouds

AX2 hung in the alien blue of Wa11-2′s upper-atmosphere, kept a dreamy glass eye on the barren and frosty landscape below. There, inside the drifting cloudshadows, a spread of wheeled-robots held a tired, fading conversation about minerals and ice.

“Okay Ax2, your assignment for the day: take a look for interesting stuff in rock formation 33° 56′ N 118° 24′ W,” said GB-ROV 3A, though in it’s own particular language. GB-ROV 3A: the largest and smartest of the rovers, the exhausted schoolmarm facing the year’s lethargic finale. Attention spans dwindling. Joints jittering, drills dulling, wheels rusty, some not spinning. Sluggishness. For 34 years now GB-ROV 3A had orchestrated the survey, kept the others organized and safe and productive, made the lesson plans while the blimps and the diggers, fresh and sparkly, did their work and came back for more. The deluge of data beamed across the relays back to Earth: of useful quality.

But the robot armada had completed its primary mission ten years earlier, was now in the bonus, and starting, finally, to smell vacation.

This time, Ax2 took a long while to respond, a whole three seconds; it’d been caught daydreaming.  “Actually, I don’t think so,” said Ax2, though in its own particular language. “I think I’m ready for break.” Something in the blimp’s weathered under-machinery clicked once, then again.

AX2 headed off now, away from the rest of them, resigned to phone it in the rest of the way.

___

[I realize, now, that this story may be a bit too sci-fi/nerdy for some readers. If you are in the dark as to what I was getting at, please check out this article.]

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This has been part of Madison Woods’ flash fiction Fridays. Check out her take on the same image-prompt: http://madisonwoods.wordpress.com/flash-fiction/vertigo/

For more sky-theme practically serious flash fiction, check out this story!

June 7, 2012

Flash Fiction: “Bigger Brother”

by Fred Fingery

Bigger Brother

The man led his son off the field and knelt down in the dry grass to speak to him. Behind them the children continued their game of two-hand-touch in the swirling autumn breeze. He looked at his son and smiled because he was such a good boy. So skinny and pale and often sick. Freckles.

“Ernie,” he said. “I want you to throw it to your brother. Give him a chance.”

Ernie, wheezing and light-headed, shrugged his dainty shoulders. “Aw dad! Burt’s too huge and strong. Nobody likes him!”

“Right,” said the man as a windgust cologned him in the face. He adjusted his thick glasses. “You’re his smaller brother and you have to watch out for him.”

Ernie turned towards the field, where a muscular, broad-shouldered boy was a bulldog beef-stalking about in a field of poodles. “But dad!” He threw open his hands. “He sucks!”

The father took a heavy breath, balanced his crouch against the bullying wind, then said plaintively, “Ernie. That’s just how the world is; little guys get all the opportunities because “HEY POST, DEREK OSEDACH GIVES YOU HIS REGARDS! (stab stab stab stab stab) they need it most. But that don’t mean y

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If you have no idea what just happened, check out this post.

For more “kid-themed” practicallyserious flash fiction, check out this post!

June 2, 2012

I Will Now Achieve Apotheosis

by Fred Fingery

I will now achieve apotheosis.

My seriousness streak continues like a runaway freight train howling off the tracks, through a village of straw huts and screaming women; laundry fluttering in the air and catching like kites in my toupee-raising windripple; women’s skirts snapping upwards in a naughty rush of warm air. I am close now. I can smell history.

But I grow impatient. I tire of all the hard work. I will attempt to force apotheosis early. Check it out. Watch closely.

In moments I will become a Golden God of seriousness.

I will do it with a deadly serious poem about unrequited love.

Nothing can stop me.

And so let it begin…

Just one thing first.

The Beach Boys.

Do you know they have a new album called “That’s Why God Made the Radio” coming out, with Brian Wilson on board? Mike Love, Al Jardine, Bruce Johnson too?

Do you realize how major this is?

Do you understand that The Beach Boys, during their brief creative climax, were very much equal to the Beatles? There was the Beach Boys and the Beatles and then everyone else. Do you realize that this new album coming out on Tuesday is, in a strange way, the closest we can come to a new Beatles album? You don’t, do you.

I don’t even want to continue talking until I hit up this link for the 18th time. It’s a new song from their new studio album.

I can’t stop listening to it.

I won’t stop listening to it.

I shouldn’t stop listening to it.

How is this song so good? And how is this song, the album’s title track, so good too (listen to it a couple times before you judge)? And how come the samples on iTunes for all the rest of the songs on the album sound so promising? Brian Wilson, my antisocial/nervous-breakdown role model, somehow wrote an album chock-full of impossibly-fresh, refreshingly inspired material. It’s like the 1960′s Beach Boys had been abducted by the baby midget-aliens and their unlikely animatronic spider-mother from the end of “Close Encounters of the Third Kind,” and have now finally been returned to us in exchange for Richard Dreyfus. We’re talking 70-year-old men sounding as inspired and bright as ever! What the hell is going on here? Yes, I’m sure in putting this album together Brian got plenty of help on the songwriting/producing end from his very-talented touring band, but that only makes me love and respect Brian Wilson even more. Any great producer of anything knows: it’s the final product that counts.

For the past few weeks I have put my life on hold (AKA: I proceeded with my regular routine) in anticipation of this new album, which will drop this coming Tuesday. I have been bumping into walls at work thinking about it. I have been singing deep Beach Boy cuts LOUDLY in my car at intersections in downtown Los Angeles, teardrop-tattoo gangsters giving me worried looks from their lowriders as they thumpingly pull up alongside me.

I have no intention to not listen to this album.

Damn I love a good comeback story. It takes a certain kind of person to fully appreciate the Beach Boys, to be able to get past their “Surfin’ Safari” image. To get past the fact that at their impressionable inception they’d made the quick, conscious decision to roll with a randomly-chosen theme (the idea of singing “surfer songs” had taken root after a very innocent suggestion by Dennis Wilson, the only original Beach Boy ever to surf). To realize that if the Beatles had decided early on to call themselves the Library Boys, and to have predominately complemented all of their beloved melodies with lyrics concerning the Dewey decibel system and “late fees”, the world today might not be so uniform in cherishing the Lennon/McCartney back catalog.

At least the world agrees that Pet Sounds is a masterpiece, but that’s where the respect seems to begin and end.

Yes, there’s the recently-assembled “Smile” too, but because it was never released back when it was supposed to be released, back in the sixties, one can’t really expect it to have any real-estate in the American public’s overall consciousness of the Beach Boys.

But there is so much more greatness in their catalog!

In fact there’s another “masterpiece” that I never hear anyone talking about. Not even people who claim to know and love the Beach Boys.

A little forgotten gem called “Today” (check out that link for the entire album on youtube. If you find yourself with time to kill go ahead and listen to the whole thing all the way through — it’s a pretty quick listen). This album was Brian Wilson building up the nerve to conquer the world. In some ways I like this album even more than Pet Sounds because it perfectly outlines the creative-conflict Brian Wilson the minute he decided to venture beyond “fun, surf songs.” This is the album where he breaks through and lets his creativity explore the woods beyond the backyard. On this album you actually experience the moment he becomes a genius, and it’s a moment of warm triumph. It happens directly in the middle of the album. In vinyl form, it happens the moment you flip the record over to side 2. It happens when “Please Let Me Wonder” taps you on the back of the shoulder and you turn around and see the rest of the album standing there. Last thing you heard was “Dance, Dance, Dance” and then all of a sudden you feel weak-kneed and have to steady yourself. This song hits you hard. Basically, the album abruptly changes from particularly-good surfin-type songs (I challenge you to listen to “Don’t Hurt My Little Sister” and NOT listen to it again directly afterwards) to lush, pain-drenched ballads about real, real issues, like being annoyingly too young to marry anyone.

In typing this I just caught my second wind of infatuation with that particular song. It’s called “I’m So Young.”

Side B. Nobody was ready for it except Brian himself. The existence of Side B set the stage for one of my favorite moments in the history of rock and roll. The moment when a nervous Mike Love, supported by ill-at-ease record executes, took Brian into a room and asked him in a deadly serious, grave tone: “Brian, we need to know: what are your musical intentions?” They were afraid. They had wanted Side B to be a lot more like Side A. They pressured Brian to bottle up his greatness. In a cold sweat they forced him to postpone his apotheosis for one more album. Pet Sounds was coming, but first there was to be “Summer Days (and Summer Nights!!),” where we find a Brian barely managing to restrain his creativity in such a way as to please the then-influencers of his career.

This album is not the clean cut shock-masterpiece of “Today,” but it’s also very, very good and should be talked about when people start claiming they respect the Beach Boys. This one doesn’t have the heart-melting sneak attack of its predecessor—Brian no longer had the element of surprise. Instead, the whole thing is peppered, in a general way, with elements of Brian’s maturing genius. A couple of true gems near the end. “You’re So Good to Me” being one.

Really, I could go on all day about the Beach Boys. I can do a big complex list ranking all of their albums leading up to their last gasp of post-Smile goodness “Sunflower.” I’d stop there, because everything after that was just exploitation of past accomplishments, and by then Brian was thoroughly nervous-breakdowning. Then there was “Kokomo” in the 80’s, an unexpected, late-inning hit, without Brian’s involvement, and after that it seemed that the Beach Boys were out of surprises and just old.

But then, in the late nineties, Brian came out his reclusion, a little worse for the wear, but committed to fighting his way back into game. Though his voice had grown a bit clumsy and hoarse (these days he sings somewhat slobberishly out of the side of his mouth, almost as if he’d suffered some kind of stroke during his time in isolation, and, sadly, that’s sort of how he sounds some of the time, too—yet this doesn’t stop me from lovingly recreating this effect when I “stroke” sing his songs at the top of my dog-yelping lungs in the privacy of my softtop jeep) he demonstrated over a series of solo albums that he still had a little something left in the creative reservoir. He’d been building up a little momentum with each one, taking him through to his own fully-finished version of Smile. He’d been fighting back slowly but surely.

Still, it seemed safe to say that Brian’s most effective years were long behind him.

But now the Beach Boys are celebrating their 50th anniversary and they seem to have mutually decided that they’re all too old to keep on suing each other when they could make far more money packaging themselves as a newly reformed touring band. They convinced Brian to join them for the first time in more than 20 years. They made an album and it sounds much, much better than anyone could have reasonably expected such an album made under such circumstances to sound.

With the still-mostly-intact voices of Mike Love, Al Jardine, and Bruce Johnson to help take some of the pressure off his own weakened singing ability, it seems that with “That’s Why God Made the Radio” Brian was able to focus more on the writing and the producing. When Brian does sing lead on this album, from what I can tell, it’s done in short bursts, and quickly bolstered by the energizing harmonies of the reach of the Beach Boys. The result: a kind of litmus test of Brian’s present-day songwriting ability. His solo albums featured a little too much of Brian’s battle-damaged voice to be taken too seriously, but here’s something that very much demands to be taken yahoo-seriously. These songs sound awesome. They sound like classic Beach Boys goodness.

Turns out maybe “Kokomo” isn’t the last trick they had up their sleeve.

I love a comeback story.

As for my own apotheosis…yeah, I really don’t feel like writing a deadly serious poem anymore. Not after all this Brian talk. I’m just going to listen to this song two more times and then publish this post.

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